MARA ADAMITZ SCRUPE
Flood Stage Installation
Video
reading of poem Flood Stage by Ben Owen
videography and editing by Mara Adamitz Scrupe and Daniel J. Holm
View Flood Stage
video on YouTube:
Flood Stage
By
Mara Adamitz Scrupe
From the roof of the house
(at a 12-point pitch)
look west and upriver
past the northernmost tip
of the farthest bank.
Just over the rise,
that’s the stone quarry.
You can see it from here:
a bald patch
of machined earth
alongside the
river
built in the
thirties
amid pledges
of progress:
scarce jobs
in lean times.
Look east -
in the opposite direction
follow the S-curve downriver
past the poured concrete bridge
beyond the bluff at Bremo.
You can see the scrubber stacks from here
planted in the bed of the James
one of seven coal-fired plants
grand-fathered, built when the power came
electric light
for a heartsick south.
Look west again-
toward the mountains directly across
where the land is open and rolls,
an old and truly blue ridge
serves for backdrop.
This has always been the finest land.
This land
(the best and
most desired land)
made fruitful
by abundant flood.
Settled by
people from Tidewater
whose
played-out soils pressed them
to the western edge of the world.
These people built the very best.
The lodge came first,
then the fine
place made:
Palladian stucco over red brick.
Four thousand acres
of the loveliest richest land;
still in the same hands.
Gazing out and across from our place
thought beautiful in our times:
hollows,
ravines, streams that run
through all seasons
(but few flat
spots
for hopeful farming).
Glance in any direction.
You can see it clear from here -
flanked by insecure
changeable
borders.
Hands-down,
the river is the wonder.
Spreading leisurely up and out
over the first bank and then the
second,
clearing the way
for temporary settlements;
reflecting ponds on low ground.
This red River at flood stage:
carrying away trees and tires
and fences and cows and cars,
and people and all
their cheerful projects.
Sweeping aside everything,
without asking permission.